I was flicking through some old issues of Battle and came across this on the letters page of issue #429…
So, a quick catch-up blog – and an apology – on a post from last month.
I posted up a scan of a Judge Dredd strip from a 1990 issue of Sinclair User magazine, which I believed (based on Sinclair User‘s own claims) to be an ‘exclusive’ strip. By ‘exclusive’ strip, I took that to mean it had not previously been published. Oh, how wrong I was.
…this story had appeared before in Judge Dredd’s Crime File #1 (August 1989), published by Quality Comics. This was a short-lived Prestige Format series that consisted of reprints from various 2000AD/Judge Dredd annuals and specials, so I’m guessing that this particular story may have had an earlier appearance before.
Compounding my error, I actually remember the Judge Dredd: Crime Files series. I think I bought #2 and #3 (subsequently giving them away as a birthday present to a friend). They were rather nice editions – smaller than the Titan albums, but pretty decent colour printing and perfect-bound.
Anyway, the MCS link above also provides info on the contents:
6 page Judge Dredd story “none (Meanwhile?)”
Genre Science Fiction
Script John Wagner [as T. B. Grover]
Pencils Ian Gibson
Inks Ian Gibson
Colors Ian Gibson
Letters Tom Frame
Notes This reprint is untitled, but I’m thinking it may be “Meanwhile” from the 1987 Dredd Annual; the artist matches, the title could work, and the Seven Dwarves story is also from there.
Reprinted from 2000 AD (IPC Magazines Ltd, 1977 series) #? [possibly the 1987 Judge Dredd Annual]
Again, my apologies to you all for misrepresenting the strip; and my thanks to Rodrigo for setting me straight.
More from the cuttings files – this time a 1990 article from The Independent by design writer Jonathan Glancey on the reborn ‘original’ Dan Dare.
A quick recap: when the ‘new’ Eagle was launched in 1982, it featured ‘Return Of The Mekon’, a strip retconning (the original) Dan Dare into a Battle of Britain test pilot sent into the future, Buck Rogers-style (per the requirements of a TV series then still in pre-production). As the strip developed, and the television show never materialised, the focus became the great-grandson of (original) Dan. Also called Dan Dare.
This (new) Dan Dare had eight years-worth of adventures in the (new) Eagle, with varying levels of enthusiasm from readers, and striking art from the likes of Gerry Embleton, Oliver Frey, Ian Kennedy, Carlos Cruz and John Gillatt.
By the late 1980s, the speculation bubble, plus a nostalgia boom driven by (original) Eagle readers now all grown up, out of short trousers and with some disposable moolah, meant that Mike Higgs was able to put out the high-quality Hawk Books reprints of the (original) Eagle‘s (original) Dan Dare adventures, which increased interest in the (not new) Dan Dare from younger readers. It certainly tickled my fancy – I got the ‘Dan Dare – Pilot Of The Future: The Deluxe Collector’s Edition‘ (Patrick Hawkey first edition) as a present for passing the Eleven Plus, and started from there.
Then there was the whole COMICS HAVE GROWN UP!11!!! marketing spiel from trad publishing houses realising there was a gravy train to jump onto, whilst carpetbaggers continued to skew the market, giving the impression of comics as some kind of magic money generator, all at the same time as juvenile titles’ circulation were sinking.
Throw all that together, and you have Fleetway in 1989 coming up with an idea to reinvigorate (new) Eagle: by ditching (new) Dan, and reintroducing (original) Dare. In a sense it was a masterstroke – not least because they secured the talents of (original) Eagle artist Keith Watson. It was a way of exploiting the canon, the back catalogue, the interest of older readers and the then-preoccupations of the publishing sector.
And that’s where this article comes in. By 1990 we were (if I recall correctly) three albums into the (original) DD saga, and Hawk was ready to release its ‘Dan Dare Dossier’, a big, glossy, full colour and comprehensively list-filled biography of the character, his creation and his memorabilia. The (original) Dan Dare in the (new) Eagle wasn’t working as well as it was hoped so there was a little bit of tinkering to update him; but by then one can imagine that the parameters available had been severely constrained. But modification were made, and younger bucks like David Pugh and Keith Page provided some excellent artwork for what must have been a tough brief (“more modern than the new ‘old’ Dan, but more more retro than the old ‘new’ Dan…”), and as a young reader then it did feel like perhaps the corner was being turned.
Of course, it was but a valiant rearguard action.
Apologies for the haphazard scans. I will transcribe the article into plain text when I have a free moment for ease of searchability. In their wisdom, Apple decided to sell me an HP scanner/printer that doesn’t have Twain drivers (which means that I can’t scan to Acrobat and use OCR) having accidentally missed out this somewhat salient fact in their sales blurb. Cheers!
Okay, so here’s the last APB for ex-ZINE artists for the mo… Not as flashy as Champniss, stylised as Matt Saw or downright whacked-out as Steg, but I always had a soft spot for J Marks. Her/his pocket cartoons just seemed to hit the mark.
So, anyone got any clues on what happened to the google-proof J Marks? Drop me a line if you do!
CLICKEN to EMBIGGEN…
Another clipping from yore, this time on a celebration of Leo Baxendale‘s work, snipped out of The Independent‘s Saturday magazine back in November 1993.
It’s written by Ruth Picardie, and it’s somewhat snarky. However, it is interesting to read this short account of this exhibition at Preston’s Harris Gallery on the creator of comic icons such as the Bash Street Kids, Minnie the Minx and Little Plum alongside Baxendale’s own memoir, Hobgoblin Wars: Dispatches From The Front – which is available both as a high quality print edition for £120 and as a free PDF.
Edited 15/10/12 because I just noticed I’d left off the end of the article! PDF now updated.
Yo ho ho!
So the Cap’n was rooting around in his sea chest, and found some time-faded charts he worked up nigh on a quarter-century back, when he was but a young snotty…
Yes, even as a young comics fan, I had a fondness for lists. In those days we didn’t have the convenience of the internet, or handy databases like ComicVine or Comics UK. No, back in 1990 it was all about trawling through the limited resources on the shelves of the local library, or the occasional reference book gifted you at Christmas by indulgent parents, or your own meagre collection built up from boot fairs and village fetes and jumble sales.
So bearing all this in mind, may I present to you, my written-in-three-different-colours summary of British comics 1908-1990!
Yes, it is lamentably patchy, and betrays an embarrassing bias towards a very narrow (in both time and style) tranche of boys’ and humour titles of DC Thomson (arrgh! Misspelled too!) and Fleetway – but it was all my own work. Well, largely culled from Denis Gifford‘s Encyclopedia Of Comic Characters, Happy Days and The International Book Of Comics, plus the George Perry/Alan Aldridge Penguin Book Of Comics… But I definitely remember putting in the hours to consolidate it all!
I also put together an index of artists… If you are unlucky enough, I shall commit that too to the electronic fires of the scanner some day soon.
ALL POINTS BULLETIN: The ZINE cartoonists missing in action… Can you help find them? #5: Dr Adolf Steg
We’re onto part five of the ‘where are they now?’ quest for former cartoonists on The ZINE/Charlotte’s Mag – this time round it’s Dr Adolf Steg.
I know next to nothing about Thee Doktor, except I recall that he (or perhaps even she) was somewhat prolific – loads of his (slash her) stuff piled up in the internment cell at ZINE Towers waiting for publication.
I’m not sure Dr Steg’s artwork needs much describing… Perhaps it would be best to republish Adolf’s own words, as appended to the Jamie Smart post:
I loved contributing to the zine. I still create art in all formats and give it away for free. I also create street art and produce artwork for all sorts of underground people. The mainstream is a piece of shit.
Take it away, Dok!
CLICKEN to EMBIGGEN kthxbai.