ALL POINTS BULLETIN: The ZINE cartoonists missing in action… Can you help find them? #1: Matt Saw
Right, so we’ve got the introductory post about The ZINE out of the way, you’ve been hooked by the early Jamie Smart art work – now onto part two: locating all those very talented ZINE artists who just seemed to disappear…
First up: Matt Saw.
His cheeky little scrawl was all over The ZINE – big eyed wee characters, often facing some kind of trouble. Great fun!
But where are you, Matt? Did you keep the creative juices flowing? Let us know!
IF you know anything about Mr Saw’s subsequent trajectory – or indeed if you are Matt himself – please do get in touch, either through the comments below or by dropping an email to Cap’n KRS.
For the meantime, here’s some top Matt Saw artwork for y’all to enjoy (clicken to embiggen)…
SCANTASTIC! The ZINE and the earliest known published work of latterday Dandy artist Jamie Smart
Many moons ago, as a teenager, I (briefly) worked at a magazine called The ZINE.
The ZINE was a glossy affair, with plenty of colour, record reviews, band interviews and all the other ephemera of an indie-leaning youth publication of the 1990s, but what made it stick out from other titles on the racks at WHSmith was that it was a magazine completely filled with reader contributions. Angsty poetry, angry letters, sad tales of abuse, enthusiastic opinion pieces – it was all in there.
Initially a self-published fanzine called Charlotte’s Mag which was launched in 1991, it was rebranded The ZINE in 1993 – the new name and the skimmed-over computer game section part of the conditions laid down by the money people who got on board promising nationwide distribution. It was to last ten issues in this form, with circulation (if I recall correctly) into six figures. Tell me that’s not impressive!
I think it is safe to say that it had a loyal readership, who in turn were also very often passionate contributors – writers, reviewers, photographers, even sub-editors and office dogsbodies. Yes, as well as reading this magazine, and then sending in our own stuff to it, many of us also descended on The ZINE‘s office, in a farmhouse in the Surrey countryside, eager to ensure each issue went out, keen to learn the ropes. For some it was to set them on the path of journalism and publishing, for others it was simply a case of stepping up to repay the mag for both listening to and speaking for us. I guess I fell between the two stools somewhere.
Anyway, perhaps best of all was the artwork. From full-on paintings down to biroed doodles on the backs of envelopes, The ZINE offered anyone who was prepared to have a crack the opportunity to be seen by others. Some of the cartoonists were phenomenal – like Joseph Champniss, with his Look-In-style indie band biopic strips, or Dr Adolf Steg, with his feverishly bizarre renderings of monster-like creatures; or the increasingly ubiquitous Alex Mason and Matt Saw, each with their own instantly recognisable style.
‘Where are they now?’, you may ask. Well, Champniss worked with Lee and Herring, and co-created the Some Of The Corpses Are Amusing comedy website. Dr Steg has a website. Mason and Saw? I don’t have a scooby – and damn them for their google-proof names!
One former ZINE artist in particular though is still around, still cartooning, and doing so rather successfully: the wonderfully talented Jamie Smart.
Yes, Jamie Smart – whose memo helped revitalise The Dandy, whose own rendition of Desperate Dan divides audiences (personally I love it), whose own creations like ‘Bear‘ bubble with imagination and creativity – had his first work published at the age of fourteen in The ZINE!
So sit back, relax and enjoy some very early work by Jamie Smart – taken from The ZINE issue 5, originally published with a cover date of December 1993/January 1994 (clicken to embiggen)…
NB: I did contact Jamie to check with him that these were indeed his cartoons, and also to ask if he minded if I blogged about them. Many thanks Mr Smart for giving me the green light!
A LIFE IN COMICS: Eagle Mk II
I don’t care what the ‘proper’ nostalgists say, or what the orthodoxy dictates – I loved Eagle Mark II.
With glossy paper, photo stories and a higher feature-to-strip ratio than its contemporaries, the new Eagle launched in 1982 did not have much in common with its 1950s forebear, despite the rebooted ‘Dan Dare’.
Nevertheless, Eagle was the first comic which really whet my appetite, with a mix of action, sport, fantasy and humour. Sure, some of the photo strips were rather shonky, given the limited budgets (‘Saddle Tramp’, for instance, never convincingly conveyed the Wild West), and the pages of sports star profiles and cutaway drawings did sometimes feel like a cop-out, but it was the mix that kept me interested.
My Mum got me issue number 2 (with a cover mounted free gift – a plastic golden eagle!), as a one-off treat back in 1982 (‘The Tower King’ instantly etched itself on my memory), but I was only five years old at the time, so it wasn’t really until 1985 that I really got into it.
Back in those days periodicals – and this is something I intuit, rather than know for sure, so please excuse my assumption if it is wrong – were sold to most newsagents on a firm-sale rather than sale-or-return basis. That meant that unlike today, unsold newspapers, magazines and comics didn’t get bundled up and sent back to the distributor if nobody bought them – the seller paid for them regardless. To mitigate their losses, that meant newsagents often had months-old comics gathering dust on some back shelf somewhere begging for buyers, often with the cover price slashed. And what young comic lover with a few pennies of pocket money burning a hole can resist a bargain?
So it was that whilst on ‘holiday’ at my grandparents’ in Acton, my eight year old self bagged a fine run of a dozen or so copies of Eagle in their local newsagent – you know the score: a messy pile of unsolds nestling between out-of-date Jackies and forgotten People’s Friends, covers streaked with spirit marker announcing a 50% price cut. The mother lode!
It was around the time of Eagle‘s incorporation of Tiger. By then the glossy paper and photo strips were but a distant memory – instead it was the ragged-edged cheap inky newsprint that IPC was so fond of dumping on us.
But this was the time of Ian Kennedy passing the ‘Dan Dare’ art baton to Carlos Cruz; the time of the awesome Vek versus Zyn ‘Doomlord’ storyline; plus the very beginning of ‘Computer Warrior’ (née ‘Ultimate Warrior’); and a strong roster of conquered strips from both Tiger and Scream, including ‘The Thirteenth Floor’ and ‘Billy’s Boots’, filled the rest of the pages. Heady times…
It was a great two weeks at Nanny and Grandad’s. I remember it being quite sunny, but still I stayed in a lot of the time to plough through this treasure trove – Servitors of Nox battling it out on the London Underground! Dan Dare desperately fighting against time against a backdrop of armed, anthropomorphic zoo animals! Yet more ancient football boot-related woes for Billy Dane!
Yes, I was hooked.
From that moment on, I was an Eagle fan through and through. I quested through every newsagent, jumble sale, boot fair and village fete I came across for more such stashes, adding earlier issues to my collection all the time. I persuaded my Dad to modify my Saturday order to include Eagle alongside my Beano and Whoopee!! (in place of Look-In, I suspect). And so until its eventual closure on the cusp of 1994, I stuck with it.
Thanks, Eagle writers, artists, letterers and editors, thanks for shaping my world!
WONDROUS WEBSITES: The unsung engineer of British comics, Pat Mills – welcome to the blogosphere!
So, Pat Mills – probably the comic writer who most inspired, influenced and guided me – has taken up blogging!
A while back he got into social media, first with a couple of Facebook pages (Pat Mills Comics and Pat Mills Political Comics), and then Twitter, where he’s @PatMillsComics.
I imagine that the response from readers, and the opportunity for dialogue, has been somewhat positive, as now he has launched a Pat Mills WordPress blog. Here he is posting all sorts of fascinating stuff about comics and characters he has been involved in, starting with the genesis of 2000AD and the creation of ‘Judge Dredd’ – and given the recent release of the Dredd movie, it’s most timely!
So why does Pat Mills matter? Well, consider his involvement in…
- Girls’ comics – long overlooked by too many comic historians
- Battle, Action & 2000AD – three ground-breaking, gritty comics born in the belly of the IPC beast through the midwifery of crazed freelances and subversive staff members
- ‘Charley’s War’ – the best comic strip about war bar none, threaded through with humanism and righteous rage
- Creators’ rights – behind the scenes, artists and writers are treated like indentured labour by massive publishing corporations
- Pushing for recognition for unsung or unfashionable talent – like Gerry Finley-Day and Angela Kincaid
- Diceman, Crisis & Toxic! – three great stabs at pushing UK comics into fresh directions
There was a great two-part interview with Pat last year by Matt Badham on the Forbidden Planet blog, which dealt with his thoughts on a wide range of topics. It’s rather long but I heartily encourage you to read through the whole thing… (1) (2)
Anyway, back to Pat and his new blog…
- Dredd – The Killing Machine
- Dredd – The Lawman Of The Future
- Dredd – Better Dredd Than Dead
- Dredd – Judgement Day
- Dredd – Exit Wounds
- Dredd – In The Shadow Of The Judge
- Dredd – Dredd & Darkie’s Mob
- Torquemada – The Swinging Monk
- Dredd – He Is The Law!
Edited 27 & 29 September and 1, 3, 4 & 6 October 2012 to add links to new excerpts
SCANTASTIC! ‘Rare’ Judge Dredd strip from Sinclair User (August 1990)
One of the reasons behind this blog was as a place to share bits ‘n’ bobs relating to comics that I have accrued over the years, but which others may have missed.
What with the release of the new Dredd movie – which by all accounts appears to have successfully fumigated the collective memory of the Stallone apostasy – I thought it might be nice to post this six-page ‘Judge Dredd’ strip which featured ‘exclusively’* in Sinclair User magazine back in August 1990. It was a tie-in to Virgin’s 8-bit JD game for the ZX Spectrum, and whilst I wasn’t into computers or gaming in the least, when I saw SU on the news stand – complete with Ol’ Joe looming out from the cover, courtesy of Cliff Robinson – I just had to buy it!
The strip itself is a nice six-page introduction to Mega City One, Dredd and to the more humorous side of his world, written by John Wagner (under the TB Grover pseudonym) with art by Ian Gibson. There is also a pull-out poster with the magazine – I’ll scan and post that up here too, when I get the chance.
I scanned the pages at 300dpi, and tidied them up as best I can (the pages were somewhat discoloured) in Photoshop. Any art glitches are my fault, not the Twerkmeister’s. The full res versions I first converted to CMYK before assembly into a PDF for you to download (link below); there are also screen res RGB jpegs as well. Don’t say I never put in the effort!
Enjoy!
» Rare, ‘exclusive’ Judge Dredd strip – Sinclair User August 1990 (PDF)
* Reader Rodrigo Baeza notes in the comments that this story had actually been previously published in the Fleetway/Quality trade paperback Judge Dredd Crime Files Volume 1, which came out in 1989. If that wasn’t enough to torpedo the claims of exclusivity, it seems that that was a reprint from the 1987 Judge Dredd Annual! Oh lumme….
Edited 30 September 2012 to qualify ‘exclusive’ claims…
CAPTAIN’S BLOG: Hello, chums!
Well, after thirty-six summers on this Earth it was about time… So finally here is my eagerly unanticipated crack at doing a site devoted solely to comics!
No more will I submit readers on my other blog to enthusiastic ramblings on my fascination for les bandes desinées, nor my love for ragged-edged newsprint rag, nor my bias for the anthology weekly. No, dear reader, that shall be your fate…
But why now?
Well, there’s a story there, but one I cannot yet share… All in good time, chums, all in good time!
Welcome aboard!